'The
Passion': A Glimpse of Grace
By
Travis K. McSherley
[February
2004]
I now understand how so many
critics could have such a seething distaste for "The Passion of the Christ."
It's disturbing. It makes you uncomfortable. And you can't
get it out of your head.
Whatever preconceptions I
had going in to this movie (and there were a lot), when I left the theater
all I could think was, "God...why would you give this...for me?"
Beyond all of the controversy
and hype -- which I'll get to -- what Mel Gibson has created is a small
glimpse into the sacrificing of the Lamb of God. That glimpse is
bloody and hard to watch, but it's a much more realistic version of an
event that was hardly PG-rated.
Is the film unnecessarily
gory? There are certainly parts that make a grown man squeamish,
and some parts that probably could have been left out. But on the
other hand, every gratuitous crack of the cord on Jesus' back left me feeling
more and more humbled. Isaiah predicts that "He was wounded for our
transgressions...with His stripes we are healed." If this film's
interpretation is even close to accurate, we needed a lot of healing.
Besides that, Isaiah also sees that after the Messiah's scourging "his
visage was so marred more than any man, and his form more than the sons
of men." Meaning that when His beating was finished, He would barely
look human.
Yet some have criticized
the movie for never explaining the purpose of all of this violence.
Why is this man put through such torture? This, of course, is the
question that one should be asking if he does not know personally
the man who was hung on that cross. The answers are found in the
Scripture certainly, but while the film may not say explicitly that Jesus'
sacrifice is for the transgression of mankind, the clues are not absent.
The most striking line in
the entire film to me was made by Simon of Cyrene, who bore the cross when
Jesus was unable to continue the trek to Golgotha. Simon does not
speak in the Bible's account, but his statement in "The Passion" is brilliant.
"Remember," he tells the
Roman soldiers (I'm paraphrasing), "I am an innocent man, bearing
the cross for One who is condemned."
Ah, but dear Simon, don't
you see that it is you who have been condemned, and the One whose
cross you carry is being made sin for you?
This irony may be what makes
this film -- and Scripture itself -- so hard to swallow. The wisdom
of this age is slack to condemn anyone of anything. Thus, the concept
of having irrevocable guilt before God contradicts everything that we've
tried so hard to believe. And this movie smacks us in the face with
the reality that we are not naturally "good," that we have sinned against
the Most High God, and that only by accepting His offer of salvation can
we be set free.
"But that's exlusionist!"
comes the refutation. "How intolerant!"
Indeed. But as Jesus
makes clear, even in this film, He is "the Way, the Truth, and the Life."
No one comes to the Father but by Him -- and without that brutal death
on the cross, none of us would have any claim to Heaven either.
"The Passion" is an incredibly
dark movie, quite noticeably more so than the many other "Jesus" movies
that have been produce, including the recent "The Gospel of John."
What those other movies fail to accomplish in squeezing Jesus' entire ministry
into one film is the truly dark act that the crucifixion was -- both physically
and spiritually. Gibson's Satan and demons are downright creepy,
but they offer a peek at the immense battle going on, in which Jesus' death,
burial, and resurrection signify victory over the evil one.
That darkness is artfully
contrasted by the more cheerful flashbacks that Jesus sees. They
don't provide any significant plot points as far as the film is concerned,
but they are effective in creating a more balanced picture of Jesus from
the solemn and beaten man we see during most of the movie.
Yet despite the desperate
and manhandled figures that are Jesus and His disciples, the film somehow
creates an aura of God's ultimate power and victory. As the Messiah
is being ruthlessly bludgeoned by the Roman troops, and as He is hanging
"helpless" on the cross, one still feels the untouchable power that exists
in those nail-torn hands. Even nature itself was unsettled by the
murder of its Creator, as shown in Scripture and in "The Passion."
Again, however, that power
is difficult to accept. And many of those who walk skeptically into
movie theaters over the next few weeks will have to ask themselves, "Who
does that guy think He is? Claiming to be the Messiah; claiming to
be God?"
Those questions divided the
people of ancient Judea, and they are bound to divide present-day America
as well. This movie may shake things up quite a bit in the moral
conscience of American society. All of the cultural debates that
inhabit news programs and talk shows every day come down to the same set
of decisions. Do you believe that this first-century Jew is the King
of Heaven and King of earth? And, will you give your heart and soul
to follow Him?
Having those queries thrust
in our faces is jarring to us as individuals, and as a society. This
is surely the reason so many vitriolic attacks have been brought against
Mel Gibson and his project. Charges of anti-Semitism and gratuitous
violence are, by and large, just a mask for avoiding the real issue at
hand: If this man was God and was offered a sacrifice on my behalf, what
am I going to do about it? If God is real and Jesus is the Messiah,
then how now should I live?
The questions only get tougher.
But if you've already concluded that you will give your heart, mind, and
soul to the Lord Yeshua, I would recommend "The Passion" as way to gain
a tiny glimpse of the brutal mission that He undertook to wrest your soul
from the path of destruction. And if you haven't made that choice
yet, go see "The Passion" and be prepared to come face to face with the
most important questions of your eternity.
How wide is Your love
That You would stretch
Your arms
And go around the world
And why for me would
a Savior's cry be heard
I don't know
Why You went where I
was meant to go
I don't know
Why You love me so
Those were my nails
That was my crown
That pierced Your hands
and Your brow
Those were my thorns
Those were my scorns
Those were my tears that
fell down
And just as You said
it would be
You did it all for me
After You counted the
cost
You took my shame, my
blame
On my cross
How deep is Your grace
That you could see my
need
And chose to take my
place
And then for me, these
words I'd hear You say
Father no
Forgive them for they
know not what they do
I will go
Because I love them so
"On My Cross" - FFH
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